DETROIT INSTITUTE OF ARTS
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As of August 2026 Gill & Lagodich has worked on twenty-two frames for the DIA, providing period and replica frames, and restoration of museum frames.
Listed alphabetically, selected Gill & Lagodich framing projects for the Detroit Institute of Arts include provision of period frames for Zedekiah Belknap, Child in White with Doll, circa 1835; George Caleb Bingham, Trappers’ Return, 1851; Thomas Cole, Forest Interior, 1845; Thomas Cole, Italian Landscape, 1842; John Singleton Copley, John Montresor, 1771; Sanford Gifford, Church of Santa Maria della Salute, Venice, 1870; Sanford Gifford, On the Nile, 1872; William Michael Harnett, American Exchange, 1878; William Michael Harnett, To This Favor - A Thought from Shakespeare, 1879; Jervis McEntee, Lake Placid, Adiriondac Mountains, 1867; John Peto, After Night’s Study, circa 1890-1900; John Peto, For a Sunday Dinner, 1894; John Singer Sargent, Home Fields, 1885; Abbott Handerson Thayer, Sketch of Monadnock Mountain, 1897; and Unknown Artist, The Dennison Sisters, 1845.
Provision of custom-made replica frames includes Manierre Dawson, The Gate, 1913; Arthur G. Dove, Dawn II, 1932; Marsden Hartley, Boat, Abstraction, 1916; Roberto Montenegro, Untitled (Tehuanas in Huipl Grande Headdresses), circa 1940; Charles Sheeler, Home Sweet Home, 1931; and Candido Portinari, Cattle, 1939.
