HIGH MUSEUM OF ART
Selected Gill & Lagodich framing projects for the High Museum of Art include provision of period frames for Patrick Henry Bruce, Leaves, 1912; Joseph Decker, Still Life with Peanuts, ca. 1890; Robert S. Duncanson, Woodland Stream, An Idyll by the Bridge, ca. 1865; Childe Hassam, Seascape—Isle of Shoals, 1902; May Hallowell, pastel portrait, ca. 1880s; Ernest Lawson, Washington Bridge, Harlem River, ca. 1915; Jervis McEntee, The Hudson River Valley, c. 1874; Henry Ossawa Tanner, Destruction of Sodom and Gomorrah, 1929-30; Henry Ossawa Tanner, View of Fez, ca. 1912; Hale Woodruff, Old Farmhouse in Beauce Valley, ca. 1927; Hale Woodruff, Results of Good Housing, ca. 1941-43; Hale Woodruff, Results of Poor Housing, ca. 1941-43; John Sloan, Quaker Nell (Helen M. Taylor), 1916; and Elihu Vedder, Waves at Palo, 1874.
Custom replication of original period frames from the G&L Collection and custom-designed frames made for Milton Avery, Sally with Skull, 1946; William Harnett, Still Life with a Bust of Dante, 1883; George Inness, A Bit of the Roman Aqueduct, 1852; and Norman Lewis, Torch, c. 1960.
MILTON AVERY (1885–1965)
Sally with Skull, 1946, oil on canvas, 33" x 26", custom-made replica American modernist frame, ebonized rough-sawn wood; molding width 3-1/2"