Camille at the Window, Argenteuil, 1873, oil on canvas, 23-3/4 x 19-5/8 inches. Virginia Museum of Fine Arts, Richmond, VA. Collection of Mr. and Mrs. Paul Mellon. Photo: David Stover. Framed by Gill & Lagodich, period 18th-century French Regence frame; gilded hand-carved wood, sand panel; molding width: 4-3/8”

The Islets at Port-Villez (Les Iles à Port-Villez), 1897, oil on canvas, 32-3/16 x 39-3/4 in. One of four Monet paintings framed by Gill & Lagodich for the Brooklyn Museum, 19th-century gilded wood frame, molding width 4-7/8 in.

"Houses of Parliament, Sunlight Effect (Le Parlement, Effet de Soleil)," 1903, oil on canvas, 32” x 36-1/4” One of four Monet paintings framed by Gill & Lagodich for the Brooklyn Museum. 17th-century French Louis XIII gilded hand-carved wood frame. “Intrigued by the challenge posed by the play of water and light, Monet tested himself further by painting the transformative beauty of London’s fog and smoke in several works executed along the banks of the Thames during three winter painting campaigns from 1899 to 1901. Monet stationed himself on the balcony of Saint Thomas’ Hospital, across the river from his subject, substituting one canvas for another—nineteen in all—as changing weather and light conditions dictated. Their neo-Gothic spires blunted by the mauve gloom of late afternoon, the Houses of Parliament emerge as a massive silhouette. Rays of pale sunshine break through the murk in the upper right corner of the canvas and burst across the shimmering waters in overlapping strokes of pink, salmon, and yellow. The painter later reworked the canvas in his Giverny studio in 1903 in preparation for an exhibition the following year.” — Brooklyn Museum, permanent collection label.