• GILL & LAGODICH GALLERY
  • SELECTED PAST PROJECTS
  • ARTISTS FRAMED
  • ARTIST FRAMES
  • FRAMING AMERICA
  • CUSTOM & REPLICA FRAMES
  • INTERIOR & ARCHITECTURAL DESIGN
  • FRAME RESTORATION
  • AMERICAN FRAMES
  • EUROPEAN FRAMES
  • G&L PRESS
  • EXHIBITIONS & CATALOGUES
  • LECTURES & PRESENTATIONS
  • Contact
  • Facebook
  • INSTAGRAM
  • VISIT US
Menu

Gill & Lagodich Gallery

108 READE STREET
NEW YORK, NY 10013
212-619-0631
THE ART WORLD SOURCE FOR AFFORDABLE ANTIQUE FRAMES & CUSTOM REPLICAS. We are pleased to offer consultations or search for the correct frame for your painting, photograph, drawing, print, architectural or decorative design project, and prop rental. PREEMINENT FRAMER OF AMERICAN PAINTINGS FOR MUSEUMS.

Your Custom Text Here

Gill & Lagodich Gallery

  • GILL & LAGODICH GALLERY
  • SELECTED PAST PROJECTS
  • ARTISTS FRAMED
  • ARTIST FRAMES
  • FRAMING AMERICA
  • CUSTOM & REPLICA FRAMES
  • INTERIOR & ARCHITECTURAL DESIGN
  • FRAME RESTORATION
  • AMERICAN FRAMES
  • EUROPEAN FRAMES
  • G&L PRESS
  • EXHIBITIONS & CATALOGUES
  • LECTURES & PRESENTATIONS
  • Contact
  • Facebook
  • INSTAGRAM
  • VISIT US
I. LORSER FEITELSON (1898–1978)

FEITELSON - FRANCIS – FRANSIOLI – FRIESEKE – FREUD

Please check this page again as we continue to update with more artists framed by Gill & Lagodich in both period and replica frames. 

Artists are listed alphabetically.

FEITELSON - FRANCIS – FRANSIOLI – FRIESEKE – FREUD

Please check this page again as we continue to update with more artists framed by Gill & Lagodich in both period and replica frames. 

Artists are listed alphabetically.

I. LORSER FEITELSON (1898–1978)

I. LORSER FEITELSON (1898–1978)

 “Diana at the Bath”, 1922, oil on canvas, 98-1/2" x 69-3/8"  Framed by Gill & Lagodich for the Brooklyn Museum. Custom-made variation of c. 1930s American Modernist painting frame, wide reverse wave profile, water gilded and patinated palladium leaf on wood. Molding Width: 3-3/8”   "Like many 1920s figure painters, Lorser Feitelson attempted to interpret the ideal, or perfected, human form in a distinctly modern way. In this mythological subject, he based the exuberantly contoured figures and complex, dance-like composition on the style of sixteenth-century Italian Mannerism and its nineteenth-century French heir, Jean-Auguste-Dominique Ingres. Working in Paris, Feitelson no doubt was aware that Picasso had already moved in this classical direction, creating beautifully outlined figures inspired by classical sculpture and Renaissance painting. Although the painting’s chalky, fresco-like colors also refer to Renaissance art, the figures are lithe, athletic, and unmistakably modern. By the time he presented this painting to the Museum in 1924, Feitelson lived on Prospect Place in Brooklyn." — Brooklyn Museum, permanent collection label.

BMA_FEITELSON_GILL_LAGODICH_1392-VAR_DET_wm.jpg